![]() Yet Godot has absolutely nothing interesting or worth of a discussion about it as far as I can tell. ![]() From those that were inspired by Waiting for Godot I also found entertainment as they too had something of interest going on. Waiting for Godot deepika ezhil Samuel Beckett EKDRATHAN 1713 Full PDF Package This Paper A short summary of this paper 35 Full PDFs related to this paper Read Paper Download Download Full PDF Package Translate PDF CHAPTER I INTRODUCTION Drama is a type of literature telling a story, which is intended to perform to an audience on the stage. A seminal work of twentieth-century drama, Waiting for Godot was Samuel Becketts first professionally produced play. Thus far from all the plays we have studied I have found them entertaining. There is no drama to draw in the reader, no plot to make you wonder what will happen next, no symbolic or thematic meaning to the play, (with the author going out of his way to state that the play is utterly meaningless) there is nothing to be entertained by within its dialogue, it does not even have discernible characters as they all appear utterly interchangeable and at the end of the day I am forced to conclude it is a waste of paper and time for anyone looking at it. For long moments, we sit while they stand, all of us waiting together. There is absolutely nothing of any substance offered by it. I do not in the slightest way see the appeal of this play. Quite like the tag line famously says it is a play "in which nothing happens, twice." I have thus far finished act 1 of the play and then from extreme boredom went on to look up what happens in act 2. It was translated into English by Samuel Beckett, and Waiting for Godot opened at the Arts Theatre in London in 1955. Waiting for Godot is a play by Samuel Beckett, in which two characters, Vladimir (Didi) and Estragon (Gogo), wait for the arrival of someone named Godot, who never arrives, and while waiting they engage in a variety of discussions and encounter three other characters.
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